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Post time: 2014-10-15 12:19:54
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the reasons behind the current thinking is that we should focus.If for a moment, "Ink Fever" to do a study, then, of course, there are many factors behind it,barbour france, in my opinion, Overview and said, mainly in the following two points: First, is the push hands,nike tn 2014, along with China's economic growth, domestic academic reflection on the cultural phenomenon of the 20th century after,christian louboutin wedges, the demands for China's own culture in growing; Second, the foreign promoter,air max 1 pas cher, from the beginning of the 1980s, Western concerns about Chinese culture has been one of the important factors of Chinese contemporary art. As just mentioned Metropolitan ink exhibition belong to this one. It is based on the above sort of thinking, I personally have an immature idea that the ink in the context of the moment,barbour international, we may need to use two eyes to analyze,Giuseppe Zanotti, first, as a "medium" ink, more focused Material use ink as a medium to express, in this regard, although there is a lot of interpretation of space, but more in the sense that we can be placed in the context of contemporary art to examine; Second,doudoune moncler pas cher, for the time being referred to as a culture or heritage of traditional ink, often based more on Chinese painting special "ink" Inheritance and Chinese paintings reflected the unique literary temperament to expand evolution. Needs to be emphasized is that such discussions do not speak ill of Italy, as just mentioned, like the Metropolitan exhibition, if placed in an international macroeconomic background investigation, in the "stage" of its media as a medium of ink itself is an expression of cultural identity, especially in dialogue with the international art level will play an important role in certain historical periods.
but in general it appears as a backward Under the passive acceptance of the status of being beaten, or even a so-called western system in style to accept (the 1950s to the Soviet Union to study, in essence, is a form of Westernization), that some scholars cry, traditional non-Western China's traditional, modern and why the West is China's modern it?Such a historical perspective on the study down, we is not hard to understand in the context of contemporary ink survive the presentation of the face of a variety of different styles,barbour paris, different points of view, the value of the root causes behind the demands of history. In other words, in the absence of a common basic knowledge of cultural context, we will be difficult to value the arts have a basic standard of identification, let alone effectively discussed. In fact, whether it is the study of internationalization of modernity study or to explore the current globalization, "cultural differences" The problem is not necessarily to go around a ring,moncler, it is not only a historical review of the plane More importantly, cultural diversity is an important support. So,louboutin femme, in my personal opinion, if you want to interpret the phenomenon of contemporary ink-depth,hollister, "ink" in itself does not seem important, might be "behind the ink," is to take what kind of values   � nd aesthetic orientation of cultural orientation ,barbour soldes, or a question of what kind of ideological resources, that we sort out how to construct the current cultural lineage ink problem. About explore this question,christian louboutin sandals, we need to do a sort diachronic concept.
from an earlier Su Shi et al's "Opinion painting" to the election,air jordan spizike pas cher, such as the title of the money "brutal house painting", and then throws the late Ming Dong Qichang North and South were on the advocacy of "literati painting" until the early 20th century, "Chinese painting",air max 90 pas cher, "painting" fifties "new painting", "ink and color painting," eighties "experimental ink", "ink" and even called the moment "New Ink" and other titles.If the horizontal, synchronic perspective to examine the case, the concept behind each generation has a different historical context, pointing to different values; are right in the sense in which the specific historical context One Response to solve practical problems at the time, the concept included in the Qing Dynasty Painting appears is the same. But if you do a diachronic study, then,nike tn, Chinese painting as an important part of Chinese culture, in thousands of years of the development process, and gradually form a complete set of value judgment system and the formal language system, which is what we often say that the Chinese painting tradition, it is the Chinese culture as part of a large system. In my opinion, the 20th century dynasty, almost all debate on the issue of Chinese painting,nike tn, it seems are in the "traditional" Continuity and rupture tension expand, regardless of how the years change, until today, on Chinese painting,cheap christian louboutin, ink painting discuss the same insurmountable problem.
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